The Fred Jones Jr. Museum of Art at the University of Oklahoma opens The James T. Bialac Native American Art Collection: Selected Works and Indigenous Aesthetics: Selections from the James T. Bialac Native American Art Collection in September.
The collection, a gift from James T. Bialac of Arizona, contains more than 4,000 works representing indigenous cultures across North America, especially the Pueblos of the Southwest, the Navajo, the Hopi, many of the tribes of the Northern and Southern Plains and the Southeastern tribes. There are approximately 2,600 paintings and works on paper, 1,000 kachinas and 100 pieces of jewelry representing major Native artists such as Fred Kabotie, Awa Tsireh, Fritz Scholder, Joe Herrera, Allan Houser, Jerome Tiger, Tonita Pena, Helen Hardin, Pablita Velarde, George Morrison, Richard“Dick” West, Patrick DesJarlait and Pop Chalee.
As part of the opening, the museum will offer complimentary admission Saturday, Sept. 22. A community celebration is scheduled from 1 to 6 p.m. Sunday, September 23, featuring artist demonstrations by Tony Abeyta, Anita Fields, Benjamin Harjo Jr., Linda Lomahaftewa and America Meredith. A special performance by the OU School ofDance, created by professors Derrick Minter and Austin Hartel, will feature choreography inspired by works from the James T. Bialac Native American Art Collection. The opening celebration is complimentary and open to the public.
In addition to the Fred Jones Jr. Museum of Art, works from the collection will be on display at the Sam Noble Museum of Natural History, the Donald E. Pray Law Library at the College of Law and the Charles M. Russell Center for the Study of Art of the American West each will showcase works from the collection, bringing a combined exhibition space of more than 40,000 square feet dedicated to the collection on OU’s Norman campus. The Sam Noble Museum opens a second exhibition of the works Friday, Oct. 5.
A catalog of selected works is planned in conjunction with the museum’s fall exhibition.
In 1964, Bialac purchased a painting by Robert Chee (Hashke-Yil-Cale), the first of what would become a nearly 50-year journey into collecting art. As a successful lawyer over the past few decades, he has become close friends with many prominent artists through his legal practice, including Houser, a Chiricahua Apache artist whose sculpture Sacred Rain Arrow is now reproduced on the Oklahoma state license plate, Houser’s sons Bob and Phillip, Hopi artist Charles Loloma and others.
Bialac also has served as a juror for many of the more important exhibitions of contemporary Native art, including the Santa Fe Indian Market.
“It was truly a pleasure to work with Mr. Bialac throughout this process, as his first requirement was education and the use of the collection for this purpose,” said Ghislain d’Humières, the Wylodean and Bill Saxon Director of the Fred Jones Jr. Museum of Art. “We hope the community will join us for an exciting celebration of Mr. Bialac’s lifetime collection and his contribution to the university and the state of Oklahoma.”
Works from Bialac’s collection have appeared in many books and periodicals, such as National Geographic magazine andSmithsonian publications. On the whole, his lifetime collection spans 100 years of Native culture in a wide variety of media from across North America.
“It is an honor to share the James T. Bialac Native American Art Collection with our museum patrons because not only is it an example of the collector’s passion and generosity, but the work represents many of the best artists from and cultural diversity of Native America,” said Heather Ahtone, James T. Bialac Assistant Curator of Native American and Non-Western Art at the museum.
Bialac’s gift elevates the museum’s strong Native art collection, said Mark White, Eugene B. Adkins and Chief Curator.
“The Bialac Collection offers a comprehensive survey of 20th-century Native American art,” White said. “Every artist of influence or importance from the beginning of the century onward is included this collection. It is invaluable as a teaching resource. With the addition of the Bialac Collection, the Fred Jones Jr. Museum of Art and the University of Oklahoma will become one of the most important centers for the study of modern Native American art and culture in the nation.”
The Bialac Collection will complement other outstanding Native and Southwest collections held by the Fred Jones Jr. Museum of Art, including the Eugene B. Adkins Collection, which is jointly stewarded with Tulsa’s Philbrook Museum of Art, and the Rennard Strickland Collection, both of which were given in the last few years.
Additional collections include the Richard H. and Adeline J. Fleischaker Collection, the museum’s first major collection of Taos art; the Thams Collection of Southwestern masterpieces; the Tate Collection of masterworks by the Taos Society of Artists; and the R.E. Mansfield Collection by some of the world’s most celebrated Native American artists.
The Fred Jones Jr. Museum of Art is located in the OU Arts District on the corner of Elm Avenue and Boyd Street, at 555 Elm Ave., on the OU Norman campus.
Regular admission to the museum is complimentary to OU students with a current student ID andmuseum association members, $5 for adults, $4 for seniors, $3 for children 6 to 17 years of age, $2 for OU faculty/staff, and free for military veterans with proof and children 5 and under. The museum is closed on Mondays and admission is complimentary on Tuesdays. The museum’s website is www.ou.edu/fjjma. Information and accommodations on the basis of disability are available by calling (405) 325-4938.